Jeanne Heuving, Professor and Director
BA, English and Creative Writing, Stanford University
MA, Creative Writing, University of Washington
PhD, English, University of Washington
Professor Jeanne Heuving’s cross genre work Incapacity won a Small Press Traffic Book of the Year Award for 2004, and she has recently published Transducer, a book of poetry. She has written widely on twentieth century innovative writing, including the book Omissions Are Not Accidents: Gender in the Art of Marianne Moore and her forthcoming manuscript, The Transmutation of Love and Avant-Garde Poetics.
Amaranth Borsuk, Assistant Professor
BA, English, University of California, Los Angeles
MA, English, University of Southern California
PhD, Creative Writing and Literature, University of Southern California
Amaranth Borsuk's most recent book is As We Know (2014), a collaboration with Andy Fitch. She is the author of Handiwork (2012), winner of the 2011 Slope Poetry Prize, and, with Brad Bouse, Between Page and Screen (2012), a book of augmented-reality poems. Abra, a collaboration with Kate Durbin forthcoming from 1913 Press, recently received an NEA-sponsored Expanded Artists’ Books grant from the Center for Book and Paper Arts at Columbia College Chicago and will be issued in 2014 as an artist’s book and iPad app created by Ian Hatcher. Professional website: www.amaranthborsuk.com
Rebecca Brown, Senior Artist-in-Residence
BA, English, George Washington University
MFA, Creative Writing, University of Virginia
Artist-in-Residence Rebecca Brown has is a writer, visual artist, performer and curator. She published over a dozen books of fiction, essay, and hybrid forms and shown work in galleries in the US and Canada. She has written for theater, opera and performance and collaborated with actors, dancers, musicians and painters to create texts for performance, installation and the page. Her recent books are American Romances, The Last Time I Saw You, and The End of Youth.
Sarah Dowling, Assistant Professor
BA, English, Bishop’s University
MA, English/Creative Writing, Temple University
PhD, English, University of Pennsylvania
Assistant Professor Sarah Dowling is the author of Security Posture, winner of the Robert Kroetsch Award for Innovative Poetry. Selections from her most recent work Hinterland B appear in ‘I’ll Drown My Book’: Conceptual Writing by Women and other journals. Her critical essay, “How lucky I was to be free and safe and at home” is forthcoming in Signs.
Ted Hiebert, Associate Professor
BFA, Visual Arts, University of Victoria
MFA, Art, University of Calgary
PhD, Humanities, Concordia University
Associate Professor Ted Hiebert is an interdisciplinary artist and a theorist of aesthetics and digital culture. He is the author of In Praise of Nonsense: Aesthetics, Uncertainty and Postmodern Identity. Professional website: www.tedhiebert.net
Joe Milutis, Assistant Professor
BA, Modern Culture and Media, Brown University
MA, Modern Studies, University of Wisconsin-Milwaukee
PhD, Modern Studies, University of Wisconsin-Milwaukee
Assistant Professor Joe Milutis is a writer and media artist, whose interdisciplinary work includes experimental narrative, experimental sound and radio, new media, and essays. He has published the exploratory prose work Ether: The Nothing That Connects Everything and multiple hybrid works. Professional website: www.joemilutis.com
Additional Thesis Advisors
MA, Creative Writing, San Francisco State University
Robert Glück is the author of nine books of poetry and fiction, most recently Denny Smith, Jack the Modernist, Margery Kempe, Elements of a Coffee Service, and Reader. His Poetry and fiction has been published in New Directions Anthology, Best New Gay Fiction 1988 and 1996, Best American Erotica 1996, The Faber Book of Gay Short Fiction, and other anthologies. Critical articles have appeared in Poetics Journal, The London Times Literary Supplement, Artforum International, and The Review of Contemporary Fiction.