{"id":5420,"date":"2011-08-29T09:22:30","date_gmt":"2011-08-29T09:22:30","guid":{"rendered":"http:\/\/www.uwb.edu\/?p=5420"},"modified":"2026-03-03T14:29:31","modified_gmt":"2026-03-03T22:29:31","slug":"carrie-bodle","status":"publish","type":"page","link":"https:\/\/www.uwb.edu\/ias\/faculty-and-staff\/carrie-bodle","title":{"rendered":"Carrie Bodle"},"content":{"rendered":"\n

Teaching Professor<\/h2>\n\n\n\n
\"Carrie<\/figure>\n\n\n\n

B.F.A. (With Distinction), Art and Technology, The Ohio State University
M.S.V.S. (Masters of Science in Visual Studies), Visual Arts Program, Massachusetts Institute of Technology<\/p>\n\n\n\n

Office: UW1-343
Phone: 425-352-3703
Email: cbodle@uw.edu<\/a>
Website: Carrie Bodle<\/a>
Mailing Box: 358530, 18115 Campus Way NE, Bothell, WA 98011-8246<\/p>\n\n\n\n

Teaching<\/h2>\n\n\n\n

My creative practice and scholarship in the areas of visual and experimental art and interactive media \u2013 work that is inherently interdisciplinary in that it bridges art practice with adjacent fields \u2013 informs my teaching in IAS where I engage enthusiastically with my students in artistic production, discussion, and reflection that draws from the many lived experiences of our diverse student body at UW Bothell. With nearly two decades of teaching experience, I have refined my classroom to provide a platform for the investigation of art and design as modes for production and inquiry in today\u2019s diverse sociocultural discourse. This framing of the role of art in society informs my teaching philosophy: In my classes students engage in art production through experimentation and inquiry of the world around them and find their voice in creating artworks that are personal yet grounded in research and an awareness of cultural and aesthetic frameworks. I consider this critical practice of art making as a form of synthesis \u2013 a process that encourages students to transform what they know and how they see the world into concrete artifacts that others can experience. The resulting cycle in this process oscillates between analysis and synthesis, which leads my students into reflective practices. They gain the ability to connect observed issues with existing knowledge and attain new knowledge production as creative practice. My studio courses take a conceptual and experimental approach to art making yet are grounded in formal and aesthetic concerns from diverse and inclusive perspectives. I place equal emphasis on theory and production, using new media technology (video, sound, installation, performance, interactive works) as a vehicle for art making in a cultural context.<\/p>\n\n\n\n

Recent Courses Taught<\/h2>\n\n\n\n

BIS 131 Introduction to Arts Practice
BIS 209 Engaging Visual and Media Arts
BISIA 244 Time-Based Media Art
BIMD 352 Interactive Media Design Junior Studio II
BISIA 344 Video Art
BISIA 444 Video Installation Art
BIS 499 Interdisciplinary Arts & Sciences Portfolio Capstone<\/p>\n\n\n\n

Research\/Scholarship<\/h2>\n\n\n\n

I am a practicing artist and experienced educator who bridges artistic practice with scientific research through interactive media installations, predominantly in the format of video and sound art that I install as public art pieces and exhibitions.<\/p>\n\n\n\n

Since 2005, I have been creating immersive, artistic installations that explore the relationships between art and science, translating inaudible or invisible phenomena into sensible experiences. Through this translation I am interested in the mediation of the natural world through data streams and how artworks offer an open-ended approach to interfacing and understanding the world around us. In my projects, I make buildings speak about the scientific practices happening within their walls; I transform speakers into small mouths that remind us of histories of technological change; and I turn the practice of embroidery into a tangible, visual residue of spatialized sound derived from oceanographic data.<\/p>\n\n\n\n

Selected Bibliography \/ Publications<\/h2>\n\n\n\n
    \n
  • Coovi-Sirois, Simon, Guillaume Boutard, and Nicolas Bernier. \u201cLa r\u00e9utilisation de donn\u00e9es dans les pratiques artistiques de sonification.\u201d eContact! 21, no. 2 (2020). https:\/\/econtact.ca\/21_2\/coovisirois-etal_sonification_fr.html.<\/li>\n\n\n\n
  • Chiragdin, Neil. \u201cOceans inspire awe and activism in art.\u201d Queens Chronicle (December 21, 2017)<\/li>\n\n\n\n
  • Bodle, Carrie.\u201cSonification.\u201d in B. LaBelle & C. Martinho, eds. Site of Sound: Of Architecture and the Ear, Vol 2, (Errant Bodies Press, 2011).<\/li>\n\n\n\n
  • Bodle, Carrie. \u201cEngaged: 20 Years of the MIT Visual Arts Program.\u201d Aspect Magazine: Chronicle of New Media Art, biannual DVD publication. 2010.<\/li>\n\n\n\n
  • Bodle, Carrie. \u201cSonification\/Listening Up.\u201d Leonardo Music Journal Volume 16, 2006. Noises Off: Sound Beyond Music. MIT Press: Cambridge, MA.<\/li>\n\n\n\n
  • Interview. \u201cSonic Artist Fuses Art and Technology\u201d. Open Door, MIT School of Architecture and Planning, MIT Alumni Association. (July 2006)<\/li>\n\n\n\n
  • Rossing, Thomas. Editor. \u201cAcoustics in the news\u201d. Echoes: Acoustics Today Journal Spring 2006 Volume, quarterly. CCRMA Dept. of Music, Stanford University.<\/li>\n\n\n\n
  • \u201cDiscoveries: Sound Construction\u201d. The Boston Globe. (September 12, 2005). pp. C3. Gleitzman, Benjamin. \u201cRarefied Air Makes Noise at Building 54\u201d. The Tech<\/li>\n<\/ul>\n\n\n\n

    Selected Exhibitions<\/h2>\n\n\n\n
      \n
    • \u201cSite\/Archive\/Cite\u201d, Seattle Art Book Fair, Seattle, WA, May 5-7, 2023, group exhibition<\/li>\n\n\n\n
    • \u201cNortheast Pacific Ocean Hovmoller Plots 2002-2010\u201d, 2021 (Permanent Public Art Purchase) City of Portland, OR, Regional Arts & Culture<\/li>\n\n\n\n
    • \u201cScience Inspires Art: OCEAN\u201d, NY Hall of Science, New York, NY, September 16 2017 \u2013 February 25 2018, group exhibition organized by Art & Science Collaboration (ASCI)<\/li>\n\n\n\n
    • \u201cGiant Steps: Artist Residency on the Moon\u201d, King Street Station, Seattle, WA, March 3\u2013 April 3, 2016 group exhibition<\/li>\n\n\n\n
    • \u201cThe Untuning of the Sky\u201d, Henry Art Gallery, Seattle, WA, August 18, 2016 Participatory Sound Poetry Performance<\/li>\n\n\n\n
    • \u201cPublic Space? Lost & Found\u201d, MIT Media Lab, Cambridge, MA, April 18 \u2013 October 30, 2014, group exhibition<\/li>\n\n\n\n
    • \u201cMETHODology\u201d, Method Gallery, Seattle, WA, June 21 \u2013 August 3, 2013, group exhibition<\/li>\n\n\n\n
    • \u201cAtmospheric Weather\u201d, City of Settle Municipal Tower, July 3 \u2013 August 13, 2013, group exhibition<\/li>\n\n\n\n
    • \u201cSine Wave Bike Racks\u201d, permanent public artwork in Kendall Square, Cambridge, MA, commissioned by the City of Cambridge Public Art Program, installed August 2012<\/li>\n\n\n\n
    • \u201cWavelines\u201d, Center on Contemporary Art (CoCA), Seattle, WA, May 18 \u2013 July 14, 2012, solo exhibition<\/li>\n\n\n\n
    • \u201cTangible Competitive Intangibles\u201d, Jacob Lawrence Gallery, University of Washington, School of Art, July 24 \u2013 August 4, 2012, group exhibition<\/li>\n\n\n\n
    • \u201cWaveforms\u201d, Indiana University Grunwald Art Gallery, October 14 \u2013 November 12, 2011, group exhibition<\/li>\n\n\n\n
    • \u201cForecast: Communicating Weather and Climate\u201d, Washington State Convention Center, January 24 \u2013 April 9, 2011, group exhibition<\/li>\n\n\n\n
    • \u201cWaveforms\u201d, Harborview Eye Institute, Seattle, WA, October 28 \u2013 December 28, 2010, solo exhibition<\/li>\n\n\n\n
    • \u201cSewing Sonifications\u201d, ArtSparks Westlake Park Public Art Initiative, City of Seattle Parks and Recreation Department, City of Seattle Office of Arts and Cultural Affairs, and 4Culture, Seattle, WA, October 10, 2009<\/li>\n\n\n\n
    • \u201cWalking\/Listening\/Recording\u201d, commissioned 10-channel public art sound installation, Tryon Creek State Park, Portland, OR, September 2006 – September 2007<\/li>\n\n\n\n
    • \u201cThe Flattening and Opening of Space\u201d, 911 Media Arts Center, Seattle, WA, September – October 2006<\/li>\n\n\n\n
    • \u201cSonification \/ Listening Up\u201d, I.M. Pei\u2019s Green Building on the MIT campus, Cambridge, MA, September 9 \u2013 16 2005<\/li>\n\n\n\n
    • \u201cWiki Soundscape\u201d, Boston CyberArts Festival, DeCordova Museum, Lincoln, MA April 5 \u2013 19, group exhibition<\/li>\n\n\n\n
    • \u201cCreative Intelligence: New Work from the MIT Visual Arts Program\u201d, Location One Gallery, NYC May 20-27, group exhibition<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"

      Teaching Professor B.F.A. (With Distinction), Art and Technology, The Ohio State UniversityM.S.V.S. (Masters of Science in Visual Studies), Visual Arts Program, Massachusetts Institute of Technology Office: UW1-343Phone: 425-352-3703Email: cbodle@uw.eduWebsite: Carrie BodleMailing Box: 358530, 18115 Campus Way NE, Bothell, WA 98011-8246 Teaching My creative practice and scholarship in the areas of visual and experimental art and…<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":1254,"menu_order":47,"comment_status":"open","ping_status":"open","template":"","meta":{"_acf_changed":false,"_is_archived":false,"_archived_contact_email":"","footnotes":""},"class_list":["post-5420","page","type-page","status-publish","hentry"],"acf":{"related_links":{"toggle_visibility":false,"link_1":"","link_2":"","link_3":"","link_4":"","link_5":""},"highlight_box":{"toggle_visibility":false,"title":"","content":"","button":"","button_style":"angled-purple-button","button_screen_reader_text":""},"contact_type_1":{"toggle_visibility":true,"contact_title":"School of Interdisciplinary Arts & Sciences","email":"iasinfo@uw.edu","phone":"425.352.5350","box":"Box 358530","address_line_1":"18115 Campus Way NE","address_line_2":"Bothell, WA 98011-8246","location":""},"contact_type_2":{"toggle_visibility":false,"contact_title":"","email":"","phone":"","box":"","address_line_1":"","address_line_2":"","location":""},"social_media":{"toggle_visibility":false,"facebook_url":"","instagram_url":"","linkedin_url":"","twitter_url":"","youtube_url":""},"blog_archive_sidebar_visibility":false},"yoast_head":"\nCarrie Bodle - School of Interdisciplinary Arts & Sciences<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.uwb.edu\/ias\/faculty-and-staff\/carrie-bodle\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Carrie Bodle - School of Interdisciplinary Arts & Sciences\" \/>\n<meta property=\"og:description\" content=\"Teaching Professor B.F.A. 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