B.A. English, University of California Los Angeles
M.A. English Literature, University of Southern California
Ph.D. Literature and Creative Writing, University of Southern California
Mailing: Box 358530, 18115 Campus Way NE, Bothell, WA 98011-8246
In all of my classes, we focus on the materials through which meaning is made, encompassing form, content, and medium in order to gain a larger sense of a given work. From close reading poems to considering the cultural implications of writing technologies, I encourage students to consider why writing takes the form it does and how it is, in turn, influenced by the form it takes. My aim in the classroom is to encourage a sense of community in order to facilitate risk-taking and experimentation, and I ask my students to approach our subjects with an open mind and generous spirit, treating one another’s work with the same respect we give to published pieces.
Recent Courses Taught
BISIA 483 Chapbooks and Artists' Books
BISIA 401 Literary and Arts Journal: Clamor
BIS 208 Experimenting through the Arts
BISIA 207 Introduction to Creative Writing
BISIA 310 Creative Writing: Poetry
BCWRIT 501 Between Fact & Imagination
My work as a scholar and poet is united by a focus on textual materiality—from the surface of the page to the surface of language. My poetry is highly attuned to the texture of words, their resonances and slippages, often drawing on etymology and language play. I rely on collaboration to supplement my individual writing practice and keep me connected to a larger writing world. My collaborative projects include a collaborative translation, with Gabriela Jauregui, of Oulipo poet Paul Braffort, and a performance/interactive book hybrid, created with Kate Durbin and Zach Kleyn, among other works.
As a poet and scholar whose work spans print and digital media, I have long been interested in the ways the technology of the book influences both reading and writing. I am currently completing a concise volume on the book's changing technologies that bridges book history, artists' books, and electronic literature . At a moment when the dual subjects of the death of the book and the future of books (two halves of the same debate) have taken hold of popular interest, this manuscript seeks to divert those misplaced anxieties by illustrating the myriad ways the book's form and content have historically transformed one another and will likely continue to do so in the years to come. Encompassing a brief introduction to the book’s history along with speculations about its future, I examine the transformation of text’s material supports, particularly via the experimentation of book artists in the twentieth century, as innovative engagements with the book that suggest a way forward for the printed word, broadening the popular definition of what books are and how they function not only on our bookshelves, but in the contemporary imagination. This research has been greatly facilitated by a Worthington Innovation Fellowship during the 2016-2017 academic year.
Books and Chapbooks
Pomegranate Eater, Kore Press. 2016
Abra, in collaboration with Kate Durbin. 1913 Press. 2016.
As We Know, in collaboration with Andy Fitch. Subito Press. 2014.
Handiwork, Slope Editions. 2012.
Between Page and Screen, in collaboration with Brad Bouse. SpringGun Press. 2016.
Tonal Saw, The Song Cave. 2010.
Borsuk, Amaranth. “Between Page and Screen.” #WomenTechLit. Ed. María Mencia (West Virginia: West Virginia University Press). Forthcoming.
Borsuk, Amaranth, Kate Durbin, and Ian Hatcher. “Abra: Expanding Artists’ Books Into the Digital Realm.” Gramma: Journal of Theory and Criticism 22, “Digital Literary Production and the Humanities,” Tatiani Rapatzikou and Philip Leonard, Eds. Winter, 2017.
Borsuk, Amaranth. “Abra: The Kinetic Page.” Bellingham Review 73 (Fall, 2016).
Borsuk, Amaranth, Nick Montfort, and Jesper Juul. “Opening a Worl in the World Wide Web: The Aesthetics and Poetics of Deletionism.” Media-N 11.1, Special Issue: The Aesthetics of Erasure.” Paul Benzon and Sarah Sweeney, Eds. (Spring 2015).
Borsuk, Amaranth. “Towards an Auto-Destructive Poetics.” The Force of What's Possible: Writers on Accessibility & The Avant-Garde. Lily Hoang and Joshua Marie Wilkinson, Eds. (Nightboat Books, 2015).
Borsuk, Amaranth, and Brad Bouse. “Encoded Messages Between Page and Screen.” ENTER+ | Creative Manual for Repurposing in Electronic Literature. María Mencía and Zuzana Husarova, Eds. (Dive Buki: Košice, Slovakia, 2014).
Borsuk, Amaranth. “Afterword,” Sixty Morning Talks by Andy Fitch. Ugly Duckling Presse, 2014.